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Monday, October 12, 2026
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Ballet Luminary Matthew Ball on Demanding Roles and Online Attention: 'I'm Not Protective About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his arms muscular beneath a simple tee. During performances, dancers can seem as powerful deities, yet often offstage they are small. Not so Ball, whose tall stature is part of his demand for princely roles and pas de deux work. With delicate features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was promoted annually, reaching the highest position of principal in 2018. He has relished taking on meaty dramatic roles, especially the emotional angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming starring role is as himself, in an "In Conversation" series aiming to offer behind-the-scenes perspectives into a performer's craft. He will guide the audience through a part, showing his cognitive process during execution. Yet in more comedic works, the test is profound. "Don Quixote is one of the toughest technically," he notes.

The Mental Struggle and Post-Performance Emotions

What about after a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. After an intense role I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a choreographer once observed on a "kind of suffering in him." Is there? "I am very active in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."

Early Drivers and Creative Influences

His tenacity stemmed from early experiences. Not doing well in competitions at school made him "vengeful!" It was fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

An upcoming endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from books, compositions, and art.

Close-Up Dance and Private Partnership

He additionally favors presenting dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They are not usually matched on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On Instagram, fans can see clips from his projects and photos that showcase a sculpted physique. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He compares it to seeing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball describes his early self as "desperate for success." Did it lived up to his hopes? "I am conscious of how reality is a different reality to the aspirations you made as a young person," he reflects. He likely has another decade of dancing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."

Written by

Brenda Green

A cybersecurity specialist with over a decade of experience in smart card technology and digital payment security.

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